I Might Have Actually Taped This
Joan Rivers, Hüsker Dü, and Ian McKellen?
Most gay!fab talk show evah!
The lovely and talented Megan Lynch, whom I have corresponded with over the years on various music forums, has released an album of Warner Bros. standards entitled Songs The Brothers Warner Taught Me. Download here. Wonderful woman, fabulous voice. (and she can really yodel, too!)
Audio Junk is another Stoopid Kar Production live every Tuesday on randomradioonline.net and roundtableradio.net @ 8:45 pm EST. The World's Worst Mixing DJ -DJ JOE INC plays a variety of music -- no format -- just samples variety and more -- music from Basehead, DJ Shadow, Sonic Youth , Willie Hutch and more -- clips from Menace II Society, Salo and more.
Four of my heroes: Sergio Aragones, Aline Kominsky Crumb, Gilbert Hernandez, and Robert Crumb in Anglouleme, France. 1990 or '91.
Sometime in the mid 1970's or so, 7-Eleven came out with a series of Slurpee cups with monsters, both mythical and crytozoological, rendered in fantastic color illustrations on one side and a description of the beastie's lore on the other. Monster Cups (like the three samples on this guy's Flickr) were the all-consuming preoccupation of my best friend Sheryl and myself, racing down to the 7-Eleven in Great Bridge on the corner of Battlefield Boulevard and Old Drive (still there!) every week to get a new Slurpee with hopefully a new monster cup to wet our collective Underoos over. If we weren't busy playing Happy Days in her bedroom (she was always Pinky Tuscadero and I was always Leather Tuscadero) she was making me draw each and every monster on our cups, coloring them all the way down to the tiniest detail, so that she could have them to hang on her wall. I guess you could say that the Monster Cups are what taught me better hone my nascent skills as an artist, although I was already pretty darn sucked into monsters at an even earlier age. But few memories of my early childhood are as vivid as Sheryl in her pink jacket (Pinky) standing over me watching raptly as I in my black jacket (Leather) lay across her floor trying to sketch The Monster Of The Moors.
Back in the 1960's, comic artist Basil Wolverton along with painter Norman Saunders collaborated on a series of stickers commonly remembered as Ugly Stickers. Hideous monstrosities with common everyday English names, like Mike and Jim and Sally and Carol (I think I saw that movie. Nevermind).
Well, in 1979 Topps trading card company re-released the Ugly Stickers as "puffy" stickers, sold in strips of three with a stick of bland, cardboard-like pink gum, and renamed them Monstickers. And 1979 will be remembered as The Year Melissa Went Apeshit For Monstickers, snapping them up at the very same 7-Eleven -- or if I was lucky, my dad would come home after work with piles of Monsticker packages for me -- and I had every available blank space on my 6th grade binder book covered with every single one I could track down. All the kids who rode my bus to school would pass my binder around to look at the stickers, running their hands over the puffy textured cover, inside and out. And I'm still not certain but I'm convinced that Ricky Roberson stole one of the stickers of the book, because when I got it back from him after the bus ride I noticed an empty space where one once was. And I don't even think it was a "Ricky" sticker, either. I want to think that there was a "Melissa" sticker but I don't remember. I do remember looking for one. I couldn't wait to see what Basil thought somebody with my name might look like. Needless to say I've been a fan of Wolverton ever since.
On that note I have noticed that no 20 year olds in this day and age have any fun.. they think all my stories of my past are made up.. Like do you remember when we had "the guy" living with us???his name was craig and needless to say for years Doug , kathy, Aaron and I all chalked it up to "we must never be that drunk for so many days in a row " again. and to learn to ask questions!!!But i figure if writers are writing about it, It must of happened to other people and Doug, Aaron , Kathy and I are no longer to blame...
Craig AKA the guysort of moved in for a month... he just showed up one day and we all sort of saw him and let him stay... he would buy coffee and clean the kitchen.. he hung up posters and he would sleep in kathys bed since she was always staying with Eric in Hampton and living at the nsect club.. so when it was rent time ... and I was collecting I said "well Aaron and Doug I think your friend Craig should pay some of this since he has been living here for a month" kathy and I had already had our speech planned out together and they both looked at us in shock and said "we thought he was your friend!!" so instead of going out that night we stayed home to wait for craig to come home and ask him "who are you?" do you remember that? it was so funny.. when we got his story he had gone awal from the military and thought our place was a good place to hide out at... poor Craig . He had to meet all of us loonies,,, Steve coming up and making breakfast , a pig!! Vic..
hahaa, Oh my god! I just had a memory flash back.. one time vic was knocking at the door and I didn't feel like hanging out with him so i ran down the fire escape to hide and I came back 10 minutes later thinking he was gone and I saw that he had kidnapped you and you were stuck with him... hahhaaa he threw the stereo out the window.. and you asked the next morning "what went by my window last night crashing in the alley?" and I told you it was skylab... You should write me your memories then I can print out your letter and show it to my crew"see I am not some crazy old lady!!" they keep freaking out cos I have a myspace.. they say "thats like knowing my mom has a account" yeah but has your mom done lines of cocaine with Gibby haynes? "who?" never mind...
I remember when we looked in the hole in the floor and called you and you came over and looked up at us and we squirted baby powder on your head..
I've met my share of rock stars. Heck, even Green Day slept on my living room floor. But few things have left me ridiculously starstuck in the last twenty years than having underground comix legend Roberta Gregory comment sweetly on several of my Facebook updates. I'm a giggling teenybopper right now, and I wanna, I dunno, go hang a poster of her on my wall and kiss it every night or somethin'.
It was probably around the early or mid 90's when my friend S. first handed me a copy of Naughty Bits that she had received in the mail as part of a "freebie" gift bag from Fantagraphics, gushing over how funny it was. "I love how pointy her breasts get when she's angry!" S. explained as a selling-point, pitching the rough, cartoony artwork to me. But she didn't need to tell me twice. I could already relate to the comic's protagonist Midge McCracken's large and heavy sagging breast dilemma and the way that they interfered with her life, getting tied up in phone cords or winding up in her armpits when she sleeps. But as much as I hoped that the similarities ended there -- that at age forty I have not become the bitter, angry, PMS-riddled harridan that Midge portrays -- I do think that, probably like all of us, Midge voices her real feelings about dating, sex, politics, parents, co-workers, and life in general in a slightly more self-absorbed and unfair yet clearer insight on the way things really are in her own head a majority of the time. Midge's inner dialogue is most of the dialogue we see in the stories, her thought balloons getting more prickly and ragged the more she works herself up in a lather. She speaks with one corner of her smiling mouth while thinks from the snarling, fanged corner of the other side. Sound like anybody we know?
But what makes Midge more than just the "Bitchy Bitch" that Roberta nicknamed her that Roberta has also given Midge a life, of some sort, even if it's working a thunderously dull 9 to 5 desk job and a weekend of watching bad TV or going on the occasional disastrous date. But the repetition of this pattern enhances the rut that she lives -- the tedious job amongst an all-female work team with a twisted shrew of a boss counting every minute that Midge is late for work, a flakey New-Ager team leader always giving loopy feel-good advice, and a chipper fundamentalist Christian slipping Bible verses into Midge's desk when she's not looking. Who wouldn't be constantly filled with rage and aggravation after awhile? We are also privy to Midge's stressful childhood with her smothering mother and rageaholic father (now we know where she get it from)and her adolescence, coming of age in the turbulent 1960's where our Hippie Bitch takes drugs and loses her virginity to a stranger at a party, becoming pregnant in the process. The subsequent story about Midge's abortion in the pre-Roe vs. Wade 60's is to this day one of the most harrowing and amazing stories I have ever read, in comics as well as any piece of literature in my entire life.Roberta Gregory has also had a long history with the comix medium and it practically runs through her blood. Her father Robert Gregory used to write for Donald Duck and many other Disney comics when Roberta was a child. In the early 70's Roberta became heavily involved in the feminist/gay/lesbian movements, getting her first series "Dynamite Damsels" in Wimmen's Comix and in the 80's published several other series called "Winging It", "Sheila And The Unicorn", and "Artistic Licentiousness" on into the 90's. But other than Naughty Bits, I have also adored Roberta's Butchy Butch series, shorter-lived but just as funny and even grippingly powerful as the best moments in Naughty Bits. "Butchy" is sort of the dyke version of Bitchy Bitch Midge, furious at the world for making her feel so out of place in it. Proudly "old school" in her man-hating dyke ways, even the younger generation of lesbians roll their eyes over her diatribes about The Way Things Used To Be, and how the kinderdykes of today Have It So Easy compared to her. But flashbacks to Butchy's teenage years coming to terms with her sexuality in the 1960's when homosexuality was still listed as a "disease" in medical books, you gotta admit she has a point. And you have to admire her bravery for walking down the street every day with her crewcut and combat boots and being exactly who she is without fear or shame. She's gone through a lot to get to where she is today, and I gotta say, as a straight woman to a fictional character, my filthy breeder heart goes out to her.
Roberta Gregory, thank you for coming into my life. Your nice little comments on a message board mean more to me than you'll ever know.
What a coincidence, seeing as how Robert Kirkman's The Walking Dead has been my current obsession, snapping up books 1-6 within the span of one week and already fiending for the 7th and on. An old friend of mine recently told me that if I wasn't reading The Walking Dead right now, then I had to stop everything that I was doing and start immediately. And so I didn't hesitate. Because she who hesitates inevitably falls behind once the TV series begins.
Originally illustrated by Tony Moore, but replaced by Charles Adlard from issue #7 and onward (Moore still draws the covers), The Walking Dead is a black and white comic that began in 2003 and has been compiled in several series books for convenient up-catching -- because when I was told that I had to be reading this series, I thought, "Really? Another something-something about zombies?" Because what hasn't already been done to death with the genre, especially with a premise we've all heard before: In an apparently post-apocalyptic world where zombies roam the earth, a small group of the living band together to survive the plague as well as each other. At this point I could probably write my own scenario and make a small fortune, if the real world weren't already being overrun with teenage Mormon vampires. (and the women who love them!)
But I'm pleasantly surprised but what I've been reading. Like the movie 28 Days Later, the protagonist Rick, a small town cop from Georgia, awakens in the hospital from a coma to discover himself alone in a world lousy with flesh-eating zombies. Like Night Of The Living Dead, he comes across a rag-tag cluster of living humans of various ages, races, and personalities, all trying to get along while trying to stay alive until they can be rescued by whatever left out there to possibly save them. But unlike the movies where resolutions are expected to be brought about by the end of the picture, The Walking Dead takes the familiar premise and explores its every potential. What if the zombie situation isn't being resolved any time soon? What if a year has already gone by and the U.S. government hasn't come to your rescue? What if there is no more government? What if the living have to start governing themselves? Rick, as a police officer, is instantly look to amongst the group as the leader. But how does a man handle that kind of daily pressure under what appears to be a permanent situation? And when conversation is limited to survival and little else, how well do you really know the person you are sleeping next to in a cramped living arrangement? Plus, sexual tensions rise when desperate people feel compelled to start pairing off. Racial tensions increase when people from all walks to life are forced to work with one another. People you thought would be troublemakers from the get-go prove themselves as heroes, and the person you were rooting for from the beginning is starting to show signs of dangerous personality disorders, either carried over from before, or acquired during their extended living conditions. You never quite know who's going to change, who's going to die next, and scarily of all -- who to place your faith in.
The time for female comix characters to tread the boards is apparently at hand! A week after posting about the play in the works for Alison Bechdel's Fun Home, another one is drumming up support for producing the autobiography The Diary of a Teenage Girl: An Account in Words and Pictures by acclaimed illustrator Phoebe Gloeckner. Born in Philadelphia and raised in San Francisco, Gloeckner studied medical illustration at the University of Texas Southwestern Medical Center at Dallas and currently teaches at the University of Michigan in the School of Art and Design. And as far as I'm concerned, one of the most talented cartoonists I've come across in all my years.
At a very young age, Gloeckner was drawing comics, and through her mother met some of the most noted underground comic artists in the San Francisco area, like Robert Crumb, Bill Griffith, Aline Kominsky, and Diane Noomin, who published her early works -- most of which were semi-autobiographical -- in the pages of of Weirdo and Twisted Sisters, just to name a few. These comics were later compiled in the collection A Child's Life And Other Stories, which I finally bought about two years ago after seeing bits in other zines and being wildly intrigued. Although "intrigued" is probably not the word the mayor of Stockton, California would have used when he had it banned from the city's public libraries, citing it as "a how-to manual for pedophiles".
An undeserved reputation, I believe. Gloeckner's adolescence was fraught with drama. In her mid-teens she seduced her mother's thirty-five year old boyfriend, having a secret sexual relationship with him. Having received very little attention from her own emotionally distant, alcoholic mother, little Phoebe longed for love and acceptance, yet was torn with jealousy every night knowing that the man she slept with during the day was sleeping with her mother every night. Distraught, Phoebe prowled the San Francisco streets at night, seeking drugs, alcohol, anonymous sex, and anything that she could get her hands on to dull the pain of her existence. And although Gloeckner claims that the events in A Child's Life were works of fiction, her main character "Minnie", who sleeps with her mother's boyfriend by day and haunts the pavements of 1970's Polk Street at night with her junkie pals, could easily be mistaken as a proxy for the author herself.
But my first real introduction to Phoebe Gloeckner was her remarkably vibrant and detailed medical illustrations for RE/Search Publications' release of the late sci-fi novelist J.G. Ballard's collection The Atrocity Exhibition. Gloeckner's training in physical anatomy drawing literally and figuratively fleshed out the text of Ballard's work, with everything to diagrams of bodily traumas to the anatomy of a woman's mouth giving a man oral sex. To be honest, as much as I love Ballard and for all the years that I have owned this book, I still couldn't recall a single line from the prose because I was so enraptured by Gloeckner's illustrations. Of course that could just be the illustrator in me, to be certain.
Sunday brunch at the Route 58 Delicatessen (L to R) Me, Nina, Mike. Joey, Big Kev, Joyce, Ben, and Rachel.
Hothead Paisan is, as the title explains, every inch a homicidal lesbian terrorist, in that she will take an axe to a homophobic man's head, put a bullet through his beer-bloated gut, and a stick of dynamite up his urethra every chance she'll get, and without a hint of guilt or shame. Wound up on coffee and too much TV, she charges right out of the gates so overstimulated and filled with rage at her inability to adapt to society's expectations of straight feminine stereotypes she makes room for herself in the world by eliminating the "enemy" every time it crosses her path. In one issue in particular that got the boys riled up, Hothead methodically tortures a small group of rich, affluent white men who managed to easily sway the male judge's decision in their favor during a trial where they had previously gang-raped and tortured a young woman. "Violence against men is never funny." Our male friends roared to us, "I don't care what the circumstances, this is nothing but anti-male propaganda. And if this comic was about men torturing and killing women you girls would shrieking in hysteria over the sexist content".
So I wonder, are they right? I mean, comics have been eternally sexist, almost intrinsically so, for as far back as they've been around it seems. Not all of course. But although the act of "fridging" isn't limited to the medium of comic books alone, I can't recall myself getting quite so heated up when Batgirl became paralyzed, or Rachel Summers got lobotomized, or Wonder Woman lost her powers, nearly all of which were the impetus for their male superheroes counterparts to rip their shirts in anguish, scream "NOOOOOOOOOOO" and then go do something heroic and save the day. Maybe a little tired of seeing it, and wishing that there were far more creative writers in the industry who didn't feel compelled to fall back into such exhaustively played-out cliches. But it's just comic books. It's fantasy. And if I am willing to accept some man's fantasy of a woman's head stuffed in the fridge just to give her husband an opportunity for great heroism, do I not have room for acceptance of Ms. DiMassa's fantasy of a gay woman who slaughters those men who want her dead that stand in her way to realize her own superhero potential? Can I not accept this as fantasy as well?
But maybe I'm strange that way. In a current pop culture atmosphere of torture-porn movies and increasingly more torture in porn itself, I'm surprised that anybody would blink an eye at Hothead Paisan these days. But as a product of the 1990's, maybe she was slightly more ahead of her time to be appreciated. Check out the Complete Hothead Paisan: Homicidal Lesbian Terrorist sometime and let me know what you think. Tell me I'm nuts. Or if anything, tell me that I've turned yet another person -- straight or gay, male or female -- onto the (to me) wonderful, insightful, and outright hysterical satirical humor of Diane DiMassa. And show your boyfriends, too. I want to hear their opinions as well. ;)