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Ready to download Audio Junk: Da Mothership?  Cuz it's LAAAANDED!  Featuring Grandmaster Flash, Prince, Guns 'N Roses, Chocolate Snow Band, plus clips from Five, The Boatniks, and more.  Check it, yo... LIVE every Tuesday night at 8pm EST on randomradioonline.net, and pre-recorded for CTIRADIO.com at 7pm EST.  Whatever works for YOU!
    

However, reliving the film yesterday for the first time in thirty years I was amazed at how little I remembered anything about what I once thought was one of the funniest movies I'd ever seen at the tender age of, uh, eleven or twelve. Only two things seized me with instant recognition. The scene where Stefanie Powers gets yellow paint dumped all over her head, and proceeds to bitch about it through half he film.
Any time I get the cooped-up/broke-ass/not-eating-right blues, there's nothing like a hot pre-summer day and a cashed state tax check to send me on a mini wilding spree. About as wild as I get these days, which isn't much. But I grow to miss the sunshine in the winter, and I crave fruits and swimming pools and Chinese folk music on the radio, so off I venture into my slowly dying Taurus into the world of instant gratification and cheap consumerism -- the kind that only $47 can get you. And nothing too far that will force me to waste that hard earned doe-rey-me on anything as frivolous as gas.
Kyle Baker's Nat Turner, a nearly wordless visual interpretation of the slave uprising. Having finally gotten into Baker's work after my visit to Austin I have been yearning for something new, and I've heard good things about this one. Also, well... it's not something I'm exactly proud of, and I'm still not even sure if it's accurate, but after recently researching our family tree my mother discovered that it was possible that her side of the family might have once owned Nat Turner at a certain point (as well as Dred Scott, who is more likely because my maternal grandmother's maiden name was Scott). So I'm looking forward to an intriguing re-telling, especially in Baker's distinct style.
 Alex Cox's 1987 cult classic Straight To Hell, which I had rented somewhat recently but up until then I had not seen since right around the time it was first released on VHS, back in late 1987 or early 1988, when I was still a freshman at Ferrum and Joe had this particular movie poster hanging on his dorm room door even though neither of us had seen the picture yet.
Filmed entirely in Spain, the movie features features some rather well-known actors like Sy Richardson, Xander Berkeley, and most notably Dennis Hopper, but also more known for its cavalcade of punk legends such as Joe Strummer (above, who has never looked foxier than he does in this flick -- MEOW!), Elvis Costello, every last one of the damn Pogues, and even a pre-fame Courtney Love, whom at the time I had mistaken for Chloe Webb, who had played Nancy Spungen in Alex Cox's previous film Sid & Nancy.
For what it's worth, I had read in Courtney Love's biography that Alex Cox was favoring Love for the part of Nancy Spungen, but the studio wanted Cox to go with a more seasoned actress (Courntey wound up playing Nancy's friend Gretchen in Sid & Nancy, a very minor role, but resume-worthy). Alex made it up to Courtney by putting her in the female lead for Straight To Hell, I gotta admit she was a trooper. Always thought she was a pretty decent actress. Ironic how I mistook her for Chloe Webb way back in '87 when I first saw her.
 Anyway, I'm pleased as punch to have it at last. Who knows, it may wind up being another twenty years before I sit down and watch it again. But this time at least we won't mistake Courtney Love for Chloe Webb. Or Xander Schloss' "Karl The Wiener Boy" character as Elvis Costello and my friends cheering when he gets gunned down in the street. (okay, my friends really hated Elvis Costello back in the 80's).
Come and get it -- Audio Junk, the Street Cook edition, is order up!  Prince, James Brown, Rick James, Little Walter, Parliament, as well as samples from Happy-Go-Lucky, The Wiz, and Jonestown Revisited.  Audio Junk is on randomradioonline.net every Tuesday night at 8pm EST and NOW ctiradio.com every Thursday at 7pm EST.  Holla.
    

Oh, she was so blessed wonderful. Angry, jealous, and soooo wrong side of the rich and decorative people part of town. Described on an APB in one episode as having "a fog-horn voice and all the charm of a Heavy Metal nightmare.", she did everything from mug people in alleyways, holding rich baronesses hostage, and shoot somebody while disguised as a nurse (my friend Sheryl, who was still hooked on General Hospital and never tuned into Guiding Light no matter how much I gushed about Darcy, was knocked off her socks by that scene, and was gripped with the lure of Darcy herself for a brief period of time). In many ways she was sort of a cipher. Television’s commonly misguided idea of a “punk” in the 80’s, out of control and violent and nothing but fire-breathing hostility and daddy-didn’t-love-me issues. But as evil as she was, my heart went out to her. She was fun, and fun to hiss like the villain she was paid to play. But she was vulnerable, too. At times. But enough to understand her, when she allowed us to do so. I utterly loved her.
After about a year or so of Darcy’s delightfully over-the-top badass sudsy antics, she left the show in 1985 (I think she was shot to death, but don’t quote me on that), and although I continued to watch for a few more years all the way up to my freshman year of college (luckily my roommate was a fan too) I gradually lost interest in the show. I had school, and a boyfriend, and all kinds of projects and activities going on to keep me away from the tube. But more importantly, the show no longer had Darcy, and honestly, Guiding Light lost its allure for me with her departure.
Although the mental image of Darcy gradually slipped through my sieve-like mind, I could always recall that year Jeanne and I would tune into Guiding Light only for Darcy, and in some form or fashion, that pouty face, that shock of red hair, and that raspy New Yawk honk was always burned into the back of my head. And I thought I would never forget it.
Yes, THAT Robin Johnson, the one who played Nicky (seen here on the right with co-star Trini Alvarado on the left) from one of my favorite cult movies of all time, Times Square. How did I never…. Okay, just…. Gah. How did I not recognize…? Rrrrrr! Okay, I first saw Times Square around 1988 or 89, after getting a vinyl copy of the soundtrack at a flea market in Roanoke, VA in 1987 which I played RELIGIOUSLY (I still get nostalgic chills hearing Roxy Music’s “Same Old Scene” during the opening credits to this movie, remembering that year in college when this soundtrack was all I played). Maybe Nicky seemed familiar, but then again maybe not. It’s so hard to wrap my brain around it all now, because Nicky…. Is Robin Johnson. And Robin Johnson was Darcy Dekker. Otherwise known to me as “that punk chick that made me watch Guiding Light against my will.” Holy smokes. Suddenly it’s all falling into place. I mean… (shakes head) oh well, nevermind.
Here I was about to write a nice little send-off to a long-running soap opera that provided many hours of enjoyment for a brief epoch of my life. Now I’m just shocked and frustrated and utterly flabbergasted at myself. Thanks a flippin' heap, Guiding Light. I hope Reva Lewis finally takes a big dive offa something high into something prickly.
 Snuff's self-titled debut album was released on Elektra-Curb in 1982, and the single "Defiance" dominated the southeastern Virginia 80's AOR airwaves in a way that few other local bands outside of the Waxing Poetics ever achieved. More than likely helped along by the major label release. In fact the single to "Defiance" was released on Warner Bros. which leads me to believe that the movie that I'm looking for was probably a Warner Bros. release as well. It's just when I tell friends and family that I was flipping channels one night years ago and caught the last 20 minutes or so of a laughably bad drive-in quality horrorshow with "Defiance" playing over the end credits they first refuse to believe me, THEN demand to know the name of the picture so that they can track it down themselves. My uncle Billy was old friends with the band, particularly Cecil Hooker, he of the the long-haired Asian persuasion violinist that I always remembered from the photo on the back of the album I had (pictured above) which Billy gave me back when it was released. I wonder if I still have it somewhere in my collection. Gettin' pretty out of control when I haven't bought any serious new vinyl in years and I still have no clue what I own anymore. 